Fall 2023 Course Posters
Fall 2023 Courses: Art History | Studio Art |
Fall 2023 Courses: Art History | Studio Art |
Art History Major, Xinyu (Lavender) Wang, has been awarded a 2023 Richter Scholarship for her proposed research on the Mogao Caves. She will travel to the site this summer to conduct her research and submit her final project findings in October 2023. The Mogao Caves […]
Dr. Nikki Moore is heading to The Temple Hoyne Buell Center for the Study of American Architecture at Columbia University this week, March 2nd through 4th, to attend conference activities and celebrate the launch of the book
Artworks by the WFU Art Department studio faculty are currently on display through December 9th in the Hanes Gallery. The exhibition features the works of nine current and recent faculty members, including Jennifer Gentry, Zaire McPhearson,
Students visited Venice during the most important recurring international art exhibition, The Venice Biennale. Students began the class on the Reynolda campus during the spring semester and completed it with a capstone experience in residence at the Wake Forest Campus at […]
This exciting course is taught both on campus and in Venice during the most important recurring international art exhibition, The Venice Biennale. Students begin the class on the Reynolda campus during the spring semester, and complete it with a capstone experience in residence at […]
Fall 2022 Courses: Art History | Studio Art |
Wake Forest students in the “Filmmaking And Video Art: Cyberspace” class have created 2-channel video art projects about local issues of concern to them. These projects will be presented at local sites that connect in some way to the issues that are brought up in […]
stArt is pleased to welcome back WFU Studio Art alum Steve Gurysh (’06) for an artist’s talk and presentation of his work and career. Join us in the Hanes Gallery @ 5:30pm to hear more from Steve and learn about working in the arts. Immediately […]
“The works in this exhibition were produced exclusively with paints (oil and acrylic) and archival inks — materials bearing strong connotations of permanence and finality — but their imagery is far from static. I consider this body of work to be the externalization of an […]